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O somma luce

8.7

类型：动作地区：韩国年份：2021 语言：中字

主演：/Giorgio Passerone/

导演：NICOLAS,川岛海荷,Daniel Bougie

上次更新：2025-01-23 05:55:11

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

云起南山:刚刚

老艺人们相继去世，也让我们感受到了一个灿烂的电影时代，即将离我们远去，希望这些老艺人们都能够一路走好，在天堂继续开心快乐。
猪小小:8分钟前

余男是非常有演技的实力派女演员，她所参演的作品曾经数次获奖，而她也曾经获得过金鸡奖最佳女主角奖以及各类国际电影节的最佳女主角奖。
终极成神:7分钟前

在桃长到拇指大小、第二次自然落果后进行套袋，防止螟蛾在果面上产卵。
水木龙:9分钟前

这个朋友是妈妈的闰蜜，和妈妈的感情很好，这个朋友叫桃子，也是这部电影的女主。
巽煜:2分钟前

导演凌子风一直注重对名著的改变，本是最难改变的一部作品，却完成的最为出色。
回眸微笑:8小时前

看到这么多大腕的加盟，众多NBA球迷可能早已对这部影片望眼欲穿了。
期待崛起:5小时前

老冈宫最深爱的母牛;花子rdquo;，一年前和伊藤一起遇难，法子为免老冈宫脆弱的神经再受打击，于是每天黎明时分，都会去牛棚扮作;花子rdquo;，藉以慰藉老冈宫。
韩墨:小时前

也有冬天走红毯的时候，女星们为了上镜都穿的很少，男性们都穿薄西装。
凌诺音:6小时前

是根据1995年同名电影改编的美剧，由杰弗瑞雷纳导演，于2015年1月16日在美国首播。
司珈蓝:1天前

停时快门打开曝光把场景摄入胶片；放时快门关上胶片转动，一个连续5秒的运动，摄影机要拍120次，胶片上有120个画面。